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Tuesday, August 23, 2011

Some Glass Painting Info.


GLASS PAINTING
The subject of glass painting is extensive enough to fill a book of its own. There are literally dozens of ways to paint on glass, ranging from using traditional oil paints to using specialized glass paints that require firing with a kiln.

Some of the major types of paints and processes used for glass painting are:
  • Traditional stained glass painting
  • Paints made for surfaces other than glass
  • Air-dried and oven cured glass paints
  • Glass enamels
  • Screen printing
  • Other photographic and printing techniques


TRADITIONAL STAINED GLASS PAINTING
Traditionally, glass painting referred to painting on the surface of a sheet of glass to be included in a stained glass work. This kind of painting, which is actually closer to drawing than painting, was done to add details such as faces and folds of clothing that couldn't be added with traditional lead lines.  It was also used to cover up portions of stained glass works so that light was kept from shining through.
In most cases, the glass paints used for stained glass painting are predominately browns and gray-blacks. The colors tend to be water or gum arabic based, and can be applied with a brush in a method similar to the way watercolors are applied. In most cases, these paints are fired onto the glass using a kiln. The heat of the kiln causes them to bond permanently with the glass.

There are several major types of traditional stained glass paints, including vinegar trace paint, matt paint, silver stain, and oil based paints.

• Vinegar trace paint
This paint, which is dark and completely blocks out the light in the areas where it is applied, is most often used for figure or design lines. It is fairly thick and must be mixed with water, vinegar, and gum arabic to use. Gum arabic, which helps the paint stick to the glass, is usually purchased in powder form and must be mixed with water or alcohol before using.

Vinegar trace paint must be applied "wet on wet"; that is, both the brush and the glass surface must be wet. You can't apply more paint to a particular place once it dries; if you do, the paint is likely to flake when fired in the kiln.

Painting with vinegar trace paint requires practice. The hardest part is learning to apply just the right amount of paint. Too much on the brush and it will blot, too little and it will dry before the stroke is complete.
When dry, vinegar trace paint is often scraped or scratched with a small stick or quill. This gives the paint a texture and depth that can't be gotten from the paint alone. Once prepared, the paint is fired to around 1100 degrees F. It becomes shiny after firing.

• Matt paint
Matt paint, which uses a base of either water and gum arabic or water and vinegar, is easier to apply than vinegar trace paint. It can be applied thickly or thinly and can even be "blended" and stippled or worked with a second brush to give it an interesting texture. Some artists even rub it with their fingers to achieve more unusual effects.

Because it is more transparent than vinegar trace paint, matte paint is generally applied over tracing paint. Often, two firings are required, one for the tracing paint and a second for the matt paint.

Matt paint is most frequently used for filling in backgrounds and adding shadows. As with vinegar trace paints, the color selection is somewhat limited, consisting primarily of blacks, brown, blues, and greens.

• Silver stain
Silver stain, which is available in shades of red, yellow, and orange, gets its name from the presence of silver nitrate in the stain. After firing, it turns golden, not silver-colored. It is unlike paint in that it actually changes the color of the glass, rather than simply covering it up with a dark line or wash.

Silver stains do not flow well from the brush, but since they are generally used to add accent colors (rather than detailed lines) this is not a major issue. They are often applied to the opposite side of the glass from vinegar trace and matt paints, and may be fired face down, with the silver stain resting on the kiln shelf.
Since silver stains are fired to around 1000 to 1100 F, they may be fired at the same time as stained glass paints. Unlike glass paints, silver stains darken and grow deeper with each firing.

• Oil-based stained glass paints
The advantages of oil-based glass paints are that they come in more colors, are easier to work with, and are not effected by general atmospheric conditions. The major disadvantage of these paints are that they tend to be less consistent in application; although colors may be mixed like regular oil paints, they do not always mix easily or thoroughly and sometimes fire unevenly.

Oil-based paints, which use an oil-turpentine base, are generally fired to a slightly lower temperature than water-based paints. They tend to break up if fired to higher temperatures.

If you are interested in learning more about the traditional stained glass painting process, obtain a copy of Albinus Elskus's The Art of Painting on Glass, widely considered the classic in the field.

This paint information was found on Warmglass.com.  Be sure to click on their link to find more valuable glass painting information!

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